Friday, September 21, 2012

U-TURN KiLLuR (Death Row Edition): Teric Darken Tells All

I'm honored to have as a guest on my blog today, Teric Darken, one of my favorite authors and a respected friend.  Upon the release of a new edition of his fantastic thriller, U-TURN KiLLuR, Teric was kind enough to stop by to share some extra insight on the novel and why, to fully portray the power and glory of the Light, an author can never fear looking at the darkness it pierces.


Sunglasses…  No one’s ever bothered to ask why I’m always wearing those silly sunglasses in my author photos…

My newest release, U-TURN KiLLuR (Death Row Edition)  What should I say about it?  I think, perhaps, out of the three thrillers I’ve scripted, this one hits extremely close to home.  Each of my works contains snippets of my personal life, but U-TURN KiLLuR… Tears came to my eyes at several intervals while plugging away at it.  When one reads it and discovers the message within, he/she will understand why.

U-TURN is a supernatural thriller about a firefighter and his family:  each member being preyed upon by a sinister stranger – a killer we all know all too well.  I believe it will come as a surprise as to whom the killer actually is.  Ah, yes, the misspelling of “KiLLuR” in the title… The “i” and “u” hold significance within the storyline.

Did I mention the newly released Kindle version is free on Monday, September 24th and Tuesday, September 25th?  Indeed, it is!  Simply go to Amazon.com on those dates and pick it up!

Why the newly released edition?  Simply because the first version was self-published.  After being picked up by TreasureLine Publishing, I was afforded an opportunity to re-release my first two self-pubbed works.  This gave me a chance to scrub up each script a bit, add some storyline to each book, and enhance each release with a wonderful new cover.  Linda Boulanger designed the covers for my TreasureLine offerings, and she did a remarkable job.

About the U-TURN (Death Row Edition) cover and my writing style:  I do espouse a Christian worldview, though my target audience isn’t projected toward those living behind stained glass windows.  I have seen much darkness in the world – a lot of hard living – and I am simply “bleeding ink” about things I’ve seen.  I mince few words and scenery.  Some have misconstrued my intent and labeled my works as “gratuitous.”

I’m not glorifying the dark things I write about.  On the contrary, I’m exposing the darkness, often empathizing with those in its vortex, and displaying humanity’s need for The Light.  I like the term “progressive” for my works though perhaps “innovative” would be a better term, indicative of that which is “cutting-edge,” “leading-edge,” and “breaking new ground” by definition.
 
What I mean by the above terms is that it often seems as though – in the realm of “Christian” authorship – there are aspects of every-day-life that some authors are afraid to freely script out, even while trying to “go there”.  I’ve never been content to say something such as:  “He struggled with temptation,” or “She cussed him out and walked away.”  I wish for the reader to relate, interact and react with my characters.  Therefore, as with the above instances, I would place the reader smack-dab within the temptation this character is going through, or allow my character to belt out the expletive within dialogue.  In my opinion, reasonably fleshing it out a bit makes for a richer storyline that’s more true-to-life.  It might raise the hair on one’s arms or make their blood begin to boil… Signs of captivated reading!
"I've never hit a line-drive directly into right field or straight down the center. My works take flight toward left field then curve to the right." - Teric Darken

Speaking of “innovative”:  I believe the cover for U-TURN KiLLuR (Death Row Ed.) says it all for a work some deem “Christian fiction.”  At first glance, most will probably see nothing but the pole dancer’s torso.  But what else is shown?  What about the skeleton rising from her frame?  What about the blood on the keypad and the surrounding flames?  What do these things mean?  When one takes the time to delve in, he/she will see the big picture and understand the significance of it all.  Would anyone believe that my cover concept was conceived from Proverbs 6: 23 – 32 and Proverbs 7: 7 – 27?

Several have read KILL FM 100 (Night Shift Ed.) and Wickflicker, and I am truly thankful.  U-TURN KiLLuR (DRE) is the link between the two.  Each book stands alone, but U-TURN makes the connection between the former and the latter book.  There is a connective thread in the stories.

A prominent author once told me that my works were comparable to “C.S. Lewis meets Stephen King.”  She also gave me a cautionary statement which proved to be prophetic:  “Many will deem your works as too worldly for the ‘Church’ and too Christian for the world.”  That’s okay.  I’ll keep shining that Light out into the darkness, regardless of how unpopular it may be to the world at large.  Prostitutes, drug addicts, cutters, domestic abusers…  I have seen a lot of things first hand.  I can relate.  "It is not the healthy who need a doctor, but the sick."

Oh, yes, the sunglasses…  The shades are simply a visual metaphor:  “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.”  -1 Corinthians 13:12 

Teric Darken

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My thanks to Teric for his visit and for sharing more about his newest release and his writing with readers.  Remember that, to get a free Kindle copy of U-TURN KiLLuR this coming Monday and Tuesday, September 24th and 25th, just click on the book cover link above.  To learn more about Teric and his novels, visit him at his blog: http://tericdarken.blogspot.com/ or on his website: http://www.tericdarken.com/

Thursday, September 6, 2012

An Ode to the Complex Sentence

An interesting and, ironically, short article in the Los Angeles Times by way of  The Passive Voice  on the reason it's a good thing not all modern fiction embraces the short, declarative sentence - an idea for which many would say I have an apparent (and extensive) appreciation.  Hats off to all writers who like to capture the human mind's tendency towards tangents, ruminative driftage, paradoxical ambivalence and addendums.

The point of the long and winding sentence